![]() George Baselitz, Three Stripes-The Painter in a Coat, 2005 Famed modern artists dabbled between abstraction and figuration, like Picasso and Giacometti, but the popularity of figurative art began to dwindle in the face of new revolutionary modes of art creation. Post-Impressionism followed exploring the natural forms through minimalized techniques like Pointillism. ![]() The need for hyper-realism faded as the Impressionists movement helped us see the world through a new lens of color and emotion. However, figuration began to change in the age of Modern Art, encouraging artists to question tradition. As a term, it has become commonplace to define this method of artistic creation in relation to the rise of abstraction.įiguration has been an ever present, if not primary, style of artistic production in the history of art. While this may not always be 100% true to life, figurative pieces base themselves in the reality of different forms, figures, and settings. So, what does figurative mean in art? We can understand figurative art as any artwork that attempts to recreate or model itself after something in the world. Jasper Johns, Alphabet, 1959 Figurative Art What Does Figurative and Abstract Mean in Art?īefore we dive into the visual qualities of both abstraction and figuration within contemporary art, let us take a moment to comprehend each of these terms and how they fit into the scope of art history. This article is here to help you understand the distinctive factors that make up abstract art versus figurative art and how these two styles appear in contemporary art. The duality spurs new trends, methods, and even divisive opinions on artistic methodologies. Today, the stylistic difference of abstract versus figurative remains a dividing categorization amongst artists of all mediums from painting and sculpture to even new technological mediums. This distinguishing element transcends contemporary art and stretches back through art history. One of the foundational elements of style to recognize is whether the work is abstract or figurative. Participating artists: Larry Bissonnette, Denver Ferguson, June Gutman, Chip Haggerty, Liza Phillip, Pamela Smith, Thomas Stetson, and Kalin Thomas.When looking at contemporary art, there are some basic stylistic features we look at to break down the works we are viewing. Revealing their own truths, these artists stand out from dominant styles of art making as they explore unconventional paths to creative expression. The artists in Outstanding are helping to reshape today’s artistic discourse – one that is more inclusive and less defined by formal modes or restrictive definitions. The exhibit includes a diversity of drawings, paintings, and three-dimensional works by eight artists who investigate themes of healing, memory, community, and the otherworldly. Working in highly personal and often idiosyncratic styles without formal academic training, these artists are compelled to create works filled with imaginative and visual power. Featuring self-taught artists from Vermont and the surrounding region, Outstanding explores the growing popularity and shifting implications of contemporary artists whose creative practice falls outside mainstream and traditional categories of art making.
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